3TWINS /
INDUSTRIAL AESTHETICS

ABOUT


STUDIO WORKS 

01 Biennale of Street Art
02 Solo Exhibition, Apex Buro
03 Pipes Constructions
04 Tiles Collection

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MURALS
01 DAWN, Sevcable Port
02 Arte Urbana, Porto
03 Pipes, Neftekamsk
04 Site Specific Murals

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AR & MAPPING

set your location project


VIDEO

Mural DAWN
Coordinates: 59°55’25.7”N 30°14’32.0”E

Present Perfect Festival 
Sevcable Port, St.Petersburg 2019
Mural DAWN
Coordinates: 59°55’25.7”N 30°14’32.0”E

Present Perfect Festival 
Sevcable Port, St.Petersburg 2019
Mural DAWN
Coordinates: 59°55’25.7”N 30°14’32.0”E

Present Perfect Festival 
Sevcable Port, St.Petersburg 2019
Mural DAWN
Coordinates: 59°55’25.7”N 30°14’32.0”E

Present Perfect Festival 
Sevcable Port, St.Petersburg 2019
FRAGMENTS OF REALITY
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry. 
The works follow the site’s lines until the environment begins to feel like an interface, 
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection. 
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments, 
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.

⌀ 150 cm
Ceramic tiles, spray paint 
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
FRAGMENTS OF REALITY
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry. 
The works follow the site’s lines until the environment begins to feel like an interface, 
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection. 
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments, 
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.

⌀ 150 cm
Ceramic tiles, spray paint 
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
FRAGMENTS OF REALITY
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry. 
The works follow the site’s lines until the environment begins to feel like an interface, 
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection. 
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments, 
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.

⌀ 150 cm
Ceramic tiles, spray paint 
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
FRAGMENTS OF REALITY
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry. 
The works follow the site’s lines until the environment begins to feel like an interface, 
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection. 
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments, 
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.

⌀ 150 cm
Ceramic tiles, spray paint 
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
FRAGMENTS OF REALITY
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry. 
The works follow the site’s lines until the environment begins to feel like an interface, 
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection. 
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments, 
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.

⌀ 150 cm
Ceramic tiles, spray paint 
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
FRAGMENTS OF REALITY
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry. 
The works follow the site’s lines until the environment begins to feel like an interface, 
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection. 
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments, 
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.

⌀ 150 cm
Ceramic tiles, spray paint 
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
FRAGMENTS OF REALITY
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry. 
The works follow the site’s lines until the environment begins to feel like an interface, 
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection. 
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments, 
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.

⌀ 150 cm
Ceramic tiles, spray paint 
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
Solo Exhibiton 
A series of abstract works installed within the interior of Apex Project Bureau. 
Integrated into the architectural setting, the compositions respond to line, rhythm, and light, 
turning a working environment into an immersive spatial experience. 
On view for two months. Organized in collaboration with BAD Gallery, with support from Tito Was Here.

⌀ 105 cm
Ceramic tiles, spray paint 
Apex Project Buro, Moscow 2024
Solo Exhibiton 
A series of abstract works installed within the interior of Apex Project Bureau. 
Integrated into the architectural setting, the compositions respond to line, rhythm, and light, 
turning a working environment into an immersive spatial experience. 
On view for two months. Organized in collaboration with BAD Gallery, with support from Tito Was Here.

⌀ 105 cm
Ceramic tiles, spray paint 
Apex Project Buro, Moscow 2024
Solo Exhibiton 
A series of abstract works installed within the interior of Apex Project Bureau. 
Integrated into the architectural setting, the compositions respond to line, rhythm, and light, 
turning a working environment into an immersive spatial experience. 
On view for two months. Organized in collaboration with BAD Gallery, with support from Tito Was Here.

⌀ 105 cm
Ceramic tiles, spray paint 
Apex Project Buro, Moscow 2024
Solo Exhibiton 
A series of abstract works installed within the interior of Apex Project Bureau. 
Integrated into the architectural setting, the compositions respond to line, rhythm, and light, 
turning a working environment into an immersive spatial experience. 
On view for two months. Organized in collaboration with BAD Gallery, with support from Tito Was Here.

⌀ 105 cm
Ceramic tiles, spray paint 
Apex Project Buro, Moscow 2024
Solo Exhibiton 
A series of abstract works installed within the interior of Apex Project Bureau. 
Integrated into the architectural setting, the compositions respond to line, rhythm, and light, 
turning a working environment into an immersive spatial experience. 
On view for two months. Organized in collaboration with BAD Gallery, with support from Tito Was Here.

⌀ 100 cm
Ceramic tiles, spray paint 
Apex Project Buro, Moscow 2024
Solo Exhibiton 
A series of abstract works installed within the interior of Apex Project Bureau. 
Integrated into the architectural setting, the compositions respond to line, rhythm, and light, 
turning a working environment into an immersive spatial experience. 
On view for two months. Organized in collaboration with BAD Gallery, with support from Tito Was Here.

⌀ 100 cm
Ceramic tiles, spray paint 
Apex Project Buro, Moscow 2024
Solo Exhibiton 
A series of abstract works installed within the interior of Apex Project Bureau. 
Integrated into the architectural setting, the compositions respond to line, rhythm, and light, 
turning a working environment into an immersive spatial experience. 
On view for two months. Organized in collaboration with BAD Gallery, with support from Tito Was Here.

⌀ 100 cm
Ceramic tiles, spray paint 
Apex Project Buro, Moscow 2024
Solo Exhibiton 
A series of abstract works installed within the interior of Apex Project Bureau. 
Integrated into the architectural setting, the compositions respond to line, rhythm, and light, 
turning a working environment into an immersive spatial experience. 
On view for two months. Organized in collaboration with BAD Gallery, with support from Tito Was Here.

⌀ 100 cm
Ceramic tiles, spray paint 
Apex Project Buro, Moscow 2024
Construction Nº 4
Metal 60 x 60 cm 
2025
Construction Nº 4
Metal 60 x 60 cm 
2025
Construction Nº 3
Metal 50 x 50 cm 
2024
Construction Nº 2
Metal 100 x 50 cm 
2022
Construction Nº 1
Metal 100 x 70 cm 
2022
Triple composition
Work on the supporting wall of the Palácio de Cristal Garden

Arte Urbana Festival 
Porto 2023
Triple composition
Work on the supporting wall of the Palácio de Cristal Garden

Arte Urbana Festival 
Porto 2023
Triple composition
Work on the supporting wall of the Palácio de Cristal Garden

Arte Urbana Festival 
Porto 2023
Pipes
Coordinates: 59°54’03.3”N 30°25’31.1”E
Neftekamsk 2021
Pipes
Coordinates: 59°54’03.3”N 30°25’31.1”E
Neftekamsk 2021
Pipes
Coordinates: 59°54’03.3”N 30°25’31.1”E
Neftekamsk 2021
Pipes Nº1
Neftekamsk 2021
Pipes Nº 2
Coordinates: 56°05’31.0”N 54°14’16.2”E 
St. Petersburg 2020
Pipes Nº3
Coordinates: 52°20’14.4”N 4°55’30.2”E
Amsterdam, Netherlands 2022
Pipes Nº4
Coordinates: 59°57’58.7”N 30°18’42.4”E
St. Petersburg 2021
Pipes Nº 5
Neftekamsk 2021
In this series of works, we used found and well-preserved tiles from the 1970s. 
The tiles replicate the eight-pointed star symbol.

BASILICA
Aerosol paint, ceramic tiles
Size: ⌀ 105 cm
St. Petersburg 2021
In this series of works, we used found and well-preserved tiles from the 1970s. 
The tiles replicate the eight-pointed star symbol.

UNTITLED 1
Aerosol paint, ceramic tiles
Size: 30 x 30 cm
St. Petersburg 2020
In this series of works, we used found and well-preserved tiles from the 1970s. 
The tiles replicate the eight-pointed star symbol.

UNTITLED 2
Aerosol paint, ceramic tiles
Size: 30 x 30 cm
St. Petersburg 2020
In this series of works, we used found and well-preserved tiles from the 1970s. 
The tiles replicate the eight-pointed star symbol.

UNTITLED 3
Aerosol paint, ceramic tiles
Size: 30 x 60 cm
St. Petersburg 2020
In this series of works, we used found and well-preserved tiles from the 1970s. 
The tiles replicate the eight-pointed star symbol.

UNTITLED 4
Aerosol paint, ceramic tiles
Size: 30 x 30 cm
St. Petersburg 2020
Collaboration with media artist Rinatto Lbank, who explores the theme of human body metamorphosis in media space. 
By creating distorted portraits and images of people, he reveals what lies hidden behind the mask of individuality.

The construction symbolizes balance and order, but this order is fragile and filled with chaos.

In this series of works, we used found and well-preserved tiles from the 1970s.

ZTWINS x L’BANK
Aerosol paint, ceramic tiles, plastic mirror 
St. Petersburg 2020
Copy/Paste
Lisbon, 2024
INDUSTRIAL AESTHETICS
Moscow, 2018
In the hands of the time: The Form by Vanya Volkov
Moscow + St.Petersburg 2025


Yuri and Anatoly Zelensky



Based between Lisbon and Moscow. 
Working internationally.



Education



2018 Master of Architecture
     (St. Petersburg State University 
     of Architecture and construction)
2016 Bachelor of Architecture
     (Belgorod State Technological University
     named after V.G. Shukhov)


ztwins93@gmail.com
instagram


3TWINS is a duo of twin brothers, Yuri and Anatoly Zelensky, whose practice began with graffiti and evolved through architectural education into large scale abstract interventions in urban space. Drawing from industrial architecture and infrastructural forms, their work translates the logic of the built environment into compositions of rhythm, shadow, outline, and texture, often echoing the visual language of digital space and virtual environments.

Working site specifically, 3TWINS engage each location as a system of surfaces, structures, and light conditions. By sampling the surrounding landscape, its geometries, materials, and color temperatures, they reframe familiar places and shift the viewer’s perception of scale, depth, and spatial atmosphere.

Their work has been presented in Berlin, Leipzig, Amsterdam, and South Korea. In 2019, Pinzle Contemporary Art Magazine dedicated a full issue to their practice. Based between Lisbon and Moscow, they continue to develop projects across different urban contexts while maintaining an architectural approach to contemporary mural work.







Exhibitions



(Upcoming) Lisbon Design Week
2026 Lisbon, Portugal

(Upcoming) M-Colletion, Murals inc.
Group Exhibition
2026, Rotterdam, Netherlands

ART WORK MONEY, Pinzle gallery
2026 Seoul, South Korea

Baluarte, Silo auto
Group Exhibition
2024 Porto, Portugal

Apex Project Buro
Solo Exhibition
2024 Moscow, Russia

Arte Urbana Festival
Group Mural
2023 Porto, Portugal

Art Fair “Big Art”, Murals inc.
2022 Amsterdam, Netherlands

“Tresspassers In!”, Ural Vision Gallery
Collective Exhibition
2021 Yekaterinburg, Russia

Monumenta - Intelligence of Many
Collective Exhibition
2018, Leipzig, Germany

ARTMOSSPHERE, Winzavod
3rd Biennale of Street Art
2018, Moscow, Russia

Celebration Comes to You, Street Art Museum
Group Exhibition, 
2017, St. Petersburg, Russia

Crossings, Studio K34
Personal Exhibition
2016, Belgorod, Russia

Publications



ART WORK MONEY
Pinzle Gallery
2026

Encyclopedia of Russian Street Art
ARTMOSSPHERE, Garage
2019

Pinzle #22 ZTWINS
Personal Issue
Contemporary Art Magazine
2019

Award TOP-20: The most famous people of
Belgorod and Kursk
Sobaka.ru
2019



SHOP