Examines how industrial space can shift into abstraction through light, shadow, and existing geometry.
The works follow the site’s lines until the environment begins to feel like an interface,
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection.
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments,
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.
⌀ 150 cm
Ceramic tiles, spray paint
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry.
The works follow the site’s lines until the environment begins to feel like an interface,
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection.
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments,
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.
⌀ 150 cm
Ceramic tiles, spray paint
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry.
The works follow the site’s lines until the environment begins to feel like an interface,
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection.
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments,
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.
⌀ 150 cm
Ceramic tiles, spray paint
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry.
The works follow the site’s lines until the environment begins to feel like an interface,
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection.
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments,
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.
⌀ 150 cm
Ceramic tiles, spray paint
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry.
The works follow the site’s lines until the environment begins to feel like an interface,
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection.
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments,
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.
⌀ 150 cm
Ceramic tiles, spray paint
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry.
The works follow the site’s lines until the environment begins to feel like an interface,
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection.
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments,
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.
⌀ 150 cm
Ceramic tiles, spray paint
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018
Examines how industrial space can shift into abstraction through light, shadow, and existing geometry.
The works follow the site’s lines until the environment begins to feel like an interface,
drawing the viewer into a direct, physical experience of atmosphere. At the core is disconnection.
As technology blurs reality and fiction, space becomes harder to define. Here, the room fractures into tile like fragments,
revealing an ultramarine system layer, while canvases act as digital windows suspended within Winzavod’s industrial setting.
⌀ 150 cm
Ceramic tiles, spray paint
BIENNALE OF STREET ART
WINZAWOD, Moscow 2018